{"id":16170,"date":"2015-01-07T21:34:00","date_gmt":"2015-01-07T20:34:00","guid":{"rendered":"https:\/\/p-art.design\/?p=16170"},"modified":"2023-12-30T19:13:34","modified_gmt":"2023-12-30T18:13:34","slug":"svoboda-slova-musi-byt-absolutni-je-suis-charlie","status":"publish","type":"post","link":"https:\/\/p-art.design\/?p=16170","title":{"rendered":"Svoboda slova mus\u00ed b\u00fdt absolutn\u00ed – Je suis Charlie"},"content":{"rendered":"\n
\"\"
Fotografie od u\u017eivatele\u00a0Specna Arms<\/a><\/strong>\u00a0ze slu\u017eby\u00a0Pexels<\/a><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Svoboda slova, projevu, vyjad\u0159ov\u00e1n\u00ed, svoboda my\u0161lenek, by m\u011bla b\u00fdt absolutn\u00ed. Ve skute\u010dnosti to ale tak nefunguje, jeliko\u017e cenzura byla, je a bude, v\u017edy a v\u0161ude. <\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

A nen\u00ed to jenom cenzura, tak jak ji zn\u00e1me, je to tak\u00e9 z\u00e1kon. Svoboda slova kon\u010d\u00ed v moment\u011b, kdy sv\u00fdm projevem omezujeme svobodu osoby druh\u00e9. Nap\u0159\u00edklad nelze beztrestn\u011b o\u010der\u0148ovat a \u0161\u00ed\u0159it nepravdiv\u00e9 informace, kter\u00e9 mohou m\u00edt negativn\u00ed dopad na soukrom\u00fd \u010di profesn\u00ed \u017eivot jednotlivce. Jen\u017ee satira, tak to je \u00fapln\u011b n\u011bco jin\u00e9ho, ne\u017e kdy\u017e V\u00e1m soused s mozkem o velikosti prachov\u00e9 \u010d\u00e1stice nad\u00e1v\u00e1, vyhro\u017euje a pomlouv\u00e1 V\u00e1s. Satira je um\u011bn\u00ed, druh liter\u00e1rn\u00edho \u017e\u00e1nru, kter\u00fd je ve vysp\u011bl\u00e9 spole\u010dnosti naprosto nepostradateln\u00fd. Satira je prav\u00fdm d\u016fkazem, i kdy\u017e ne t\u00edm absolutn\u00edm, \u017ee svoboda slova existuje. A ji\u017e po stalet\u00ed pat\u0159\u00ed k tradici evropsk\u00e9 kultury. Dokonce bezohledn\u00fd v\u00fdsm\u011bch, kritika a ostrost je jej\u00ed hlavn\u00ed n\u00e1pln\u00ed, a\u0165 se V\u00e1m to l\u00edb\u00ed nebo ne. A \u017ee t\u00e9 francouzsk\u00e9 ostrost a b\u0159itkost opravdu nechyb\u00ed.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Fotografie od u\u017eivatele\u00a0Kateryna Babaieva<\/a><\/strong>\u00a0ze slu\u017eby\u00a0Pexels<\/a><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

 

Jen\u017ee… za ka\u017edou ud\u00e1lost\u00ed, revoluc\u00ed, masakrem atd. stoj\u00ed, jak se zd\u00e1, \u00fapln\u011b n\u011bco jin\u00e9ho. V\u0161e m\u00e1 sv\u016fj jin\u00fd d\u016fvod, sv\u00e9 pozad\u00ed. A\u0165 je to na\u0161e sametov\u00e1 revoluce, americk\u00e9 9\/11 anebo nyn\u00ed francouzsk\u00e9 „Je Suis Charlie“. Kr\u00e1sn\u00e9 na tom jenom je, jak n\u00e1s to p\u011bkn\u011b stmel\u00ed. Uk\u00e1\u017ee, jak um\u00edme st\u00e1t p\u0159i sob\u011b. Ale nen\u00ed to pr\u00e1v\u011b \u00fa\u010del? Truchl\u00edme-li, p\u0159em\u00edt\u00e1me-li co se to vlastn\u011b stalo a pro\u010d, jsme zd\u011b\u0161eni, boj\u00edme se, nev\u00edme co bude, co dal\u0161\u00edho se m\u016f\u017ee st\u00e1t, na\u0161e pozornost se obrac\u00ed jin\u00fdm sm\u011brem, ne\u017e by m\u011bla. Nesoust\u0159ed\u00edme se na detaily a prav\u00fd d\u016fvod nastal\u00fdch ud\u00e1lost\u00ed a slep\u011b konzumujeme co n\u00e1m m\u00e9dia podstrkuj\u00ed. V\u011b\u0159\u00edme. \u010casto a\u017e bezmezn\u011b. A u\u017e up\u00edr\u00e1me sv\u016fj zrak na je\u0161t\u011b v\u011bt\u0161\u00ed bezpe\u010dnost a jak toho doc\u00edlit. Kamery, zv\u00fd\u0161en\u00e9 odposlouch\u00e1v\u00e1n\u00ed, nov\u00e1 omezen\u00ed, \u010dipy, kontrola internetu. A kdo za t\u00edm v\u0161\u00edm vlastn\u011b skute\u010dn\u011b stoj\u00ed?<\/p>\n\n\n\n

<\/p>\n\n\n\n

JE SUIS CHARLIE – za svobodu slova a z \u00facty k pr\u00e1ci Charlie HebdoRespektujme n\u00e1zory druh\u00fdch, i kdy\u017e se s nimi ne v\u017edy ztoto\u017e\u0148ujeme! <\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

 K zamy\u0161len\u00ed<\/strong><\/p>\n\n\n\n


Vyvra\u017ed\u011bn\u00ed Charlie Hebdo p\u0159e\u017eil jeden redaktor, kter\u00fd se hbit\u011b schoval pod st\u016fl<\/p>\n\n\n\n

\u00dato\u010dn\u00edci z\u00edskali informace od n\u011bkoho, kdo znal p\u0159esn\u00fd chod redakce<\/p>\n\n\n\n

Dva ze zavra\u017ed\u011bn\u00fdch pat\u0159ili ke svobodn\u00fdm zedn\u00e1\u0159\u016fm<\/p>\n\n\n\n

Podle novin\u00e1\u0159ky pracuj\u00edc\u00ed v redakci m\u011bl jeden \u00fato\u010dn\u00edk modr\u00e9 o\u010di\u00a0<\/p>\n\n\n\n

Brat\u0159i Kouachiovi vra\u017edili systematicky, v tisk\u00e1rn\u011b se agresivn\u011b nechovali a Michela Catalana nechali \u017e\u00edt\u00a0<\/p>\n\n\n\n

Pas jednoho st\u0159elce se \u010dirou n\u00e1hodou na\u0161el v aut\u011b, stejn\u011b jako nepo\u0161kozen\u00fd pas v trosk\u00e1ch\u00a0 Sv\u011btov\u00e9ho obchodn\u00edho centra<\/p>\n\n\n\n

Jeden z vy\u0161et\u0159ovatel\u016f, kter\u00fd shroma\u017e\u010foval sv\u011bdeck\u00e9 v\u00fdpov\u011bdi p\u0159\u00edbuzn\u00fdch, sp\u00e1chal sebevra\u017edu\u00a0<\/p>\n\n\n\n

\u00a0\u00datok na redakci odvr\u00e1til pozornost od jin\u00fdch m\u00edst, kde te\u010de krev nevinn\u00fdch proudem<\/p>\n\n\n\n

P\u0159i \u00fatoku na ko\u0161er obchod v Pa\u0159\u00ed\u017ei zem\u0159eli \u010dty\u0159i lid\u00e9 \u017dIDOVSK\u00c9HO p\u016fvodu a vze\u0161el jeden MUSLIMSK\u00dd hrdina<\/p>\n\n\n\n

\u00a0\u00a0Islamizace v Evrop\u011b prob\u00edh\u00e1 ji\u017e dlouhou dobu a cel\u00fd MULTIKULTI je pod taktovkou \u017did\u016f\u00a0<\/p>\n\n\n\n

Hollande se objevil na m\u00edst\u011b \u010dinu ji\u017e 30 minut po \u00fatoku\u00a0<\/p>\n\n\n\n

\u00dato\u010dn\u00edci byli cel\u00fd zahalen\u00ed, KDO to tedy skute\u010dn\u011b byl<\/p>\n\n\n\n

Akce byla dob\u0159e zdokumentov\u00e1na a dokonce „jeden“ na st\u0159e\u0161e byl vybaven nepr\u016fst\u0159elnou vestou\u00a0\u00a0<\/p>\n\n\n\n

V posledn\u00edm vyd\u00e1n\u00ed Charlie Hebdo je obr\u00e1zek, kter\u00fd \u0159\u00edk\u00e1: „Je\u0161t\u011b \u017e\u00e1dn\u00e9 \u00fatoky ve Francii?“ „Po\u010dkat, m\u00e1me \u010das do konce ledna, abychom poslali novoro\u010dn\u00ed p\u0159\u00e1n\u00ed.“
<\/p>\n\n\n\n

<\/p>\n\n\n\n

Kdo financuje d\u0159\u00edve 60tis\u00edcov\u00fd pl\u00e1tek, aby mohl vyj\u00edt mezin\u00e1rodn\u011b a „zat\u00edm“ v 7milionov\u00e9m n\u00e1kladu.<\/p>\n\n\n\n

\"\"
https:\/\/www.pexels.com\/cs-cz\/@anna-nekrashevich<\/figcaption><\/figure><\/div>\n\n\n\n

 
A fakt, \u017ee by tento \u00fatok islamist\u016fm a islamizaci moc nepomohl a to, \u017ee Francie uznala existenci st\u00e1tu Palestina mnoh\u00e9 nazna\u010duje.<\/strong><\/p>\n\n\n\n

\"\"
Fotografie od u\u017eivatele\u00a0cottonbro<\/a><\/strong>\u00a0ze slu\u017eby\u00a0Pexels<\/a><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Maurice Sinet<\/strong><\/p>\n\n\n\n

\u201eNejsem Charlie, … jsem Sine. Pracoval jsem pro \u010dasopis Charlie jako karikaturista. V roce 2009 jsem vytvo\u0159il karikaturu zobrazuj\u00edc\u00ed Sarkozyho syna konvertuj\u00edc\u00edho k Judaismu z finan\u010dn\u00edch d\u016fvod\u016f. \u010casopis Charlie m\u011b po\u017e\u00e1dal, abych se omluvil, co\u017e jsem odm\u00edtl.<\/p>\n\n\n\n


Z \u010dasopisu Charlie m\u011b vyhodili, proto\u017ee jsem si d\u011blal legraci z Judaismu!<\/strong>\u201c<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Fotografie od u\u017eivatele\u00a0Jeffrey Soh<\/a><\/strong>\u00a0ze slu\u017eby\u00a0Pexels<\/a><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

 A na z\u00e1v\u011br:<\/p>\n\n\n\n

Rothschild v prosinci 2014 koupil francouzsk\u00e9 nakladatelstv\u00ed ,,Liberation\u201c, kter\u00e9 rovn\u011b\u017e vyd\u00e1v\u00e1 satirick\u00fd \u010dasopis Charlie Hebdo.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Svoboda slova, projevu, vyjad\u0159ov\u00e1n\u00ed, svoboda my\u0161lenek, by m\u011bla b\u00fdt absolutn\u00ed. Ve skute\u010dnosti to ale tak nefunguje, jeliko\u017e cenzura byla, je a bude, v\u017edy a v\u0161ude.  A nen\u00ed to jenom cenzura, tak jak ji zn\u00e1me, je to tak\u00e9 z\u00e1kon. Svoboda slova kon\u010d\u00ed v moment\u011b, kdy sv\u00fdm projevem omezujeme svobodu osoby druh\u00e9. Nap\u0159\u00edklad nelze beztrestn\u011b o\u010der\u0148ovat a \u0161\u00ed\u0159it nepravdiv\u00e9 informace, kter\u00e9 mohou m\u00edt negativn\u00ed dopad na soukrom\u00fd \u010di profesn\u00ed \u017eivot jednotlivce. Jen\u017ee satira, tak to je \u00fapln\u011b n\u011bco jin\u00e9ho, ne\u017e kdy\u017e V\u00e1m soused s mozkem o velikosti prachov\u00e9 \u010d\u00e1stice nad\u00e1v\u00e1, vyhro\u017euje a pomlouv\u00e1 V\u00e1s. Satira je um\u011bn\u00ed, druh liter\u00e1rn\u00edho \u017e\u00e1nru, kter\u00fd je ve vysp\u011bl\u00e9 spole\u010dnosti naprosto nepostradateln\u00fd. Satira je prav\u00fdm d\u016fkazem, i kdy\u017e ne t\u00edm absolutn\u00edm, \u017ee svoboda slova existuje. A ji\u017e po stalet\u00ed pat\u0159\u00ed k tradici evropsk\u00e9 kultury. Dokonce bezohledn\u00fd v\u00fdsm\u011bch, kritika a ostrost je jej\u00ed hlavn\u00ed n\u00e1pln\u00ed, a\u0165 se V\u00e1m to l\u00edb\u00ed nebo ne. A \u017ee t\u00e9 francouzsk\u00e9 ostrost a b\u0159itkost opravdu nechyb\u00ed.   Jen\u017ee… za ka\u017edou ud\u00e1lost\u00ed, revoluc\u00ed, masakrem atd. stoj\u00ed, jak se zd\u00e1, \u00fapln\u011b n\u011bco jin\u00e9ho. V\u0161e m\u00e1 sv\u016fj jin\u00fd d\u016fvod, sv\u00e9 pozad\u00ed. A\u0165 je to na\u0161e sametov\u00e1 revoluce, americk\u00e9 9\/11 anebo nyn\u00ed francouzsk\u00e9 „Je Suis Charlie“. Kr\u00e1sn\u00e9 na tom jenom je, jak n\u00e1s to p\u011bkn\u011b stmel\u00ed. Uk\u00e1\u017ee, jak um\u00edme st\u00e1t p\u0159i sob\u011b. Ale nen\u00ed to pr\u00e1v\u011b \u00fa\u010del? Truchl\u00edme-li, p\u0159em\u00edt\u00e1me-li co se to vlastn\u011b stalo a pro\u010d, jsme zd\u011b\u0161eni, boj\u00edme se, nev\u00edme co bude, co dal\u0161\u00edho se m\u016f\u017ee st\u00e1t, na\u0161e pozornost se obrac\u00ed jin\u00fdm sm\u011brem, ne\u017e by m\u011bla. Nesoust\u0159ed\u00edme se na detaily a prav\u00fd d\u016fvod nastal\u00fdch ud\u00e1lost\u00ed a slep\u011b konzumujeme co n\u00e1m m\u00e9dia podstrkuj\u00ed. V\u011b\u0159\u00edme. \u010casto a\u017e bezmezn\u011b. A u\u017e up\u00edr\u00e1me sv\u016fj zrak na je\u0161t\u011b v\u011bt\u0161\u00ed bezpe\u010dnost a jak toho doc\u00edlit. Kamery, zv\u00fd\u0161en\u00e9 odposlouch\u00e1v\u00e1n\u00ed, nov\u00e1 omezen\u00ed, \u010dipy, kontrola internetu. A kdo za t\u00edm v\u0161\u00edm vlastn\u011b skute\u010dn\u011b stoj\u00ed? JE SUIS CHARLIE – za svobodu slova a z \u00facty k pr\u00e1ci Charlie HebdoRespektujme n\u00e1zory druh\u00fdch, i kdy\u017e se s nimi ne v\u017edy ztoto\u017e\u0148ujeme!   K zamy\u0161len\u00ed Vyvra\u017ed\u011bn\u00ed Charlie Hebdo p\u0159e\u017eil jeden redaktor, kter\u00fd se hbit\u011b schoval pod st\u016fl \u00dato\u010dn\u00edci z\u00edskali informace od n\u011bkoho, kdo znal p\u0159esn\u00fd chod redakce Dva ze zavra\u017ed\u011bn\u00fdch pat\u0159ili ke svobodn\u00fdm zedn\u00e1\u0159\u016fm Podle novin\u00e1\u0159ky pracuj\u00edc\u00ed v redakci m\u011bl jeden \u00fato\u010dn\u00edk modr\u00e9 o\u010di\u00a0 Brat\u0159i Kouachiovi vra\u017edili systematicky, v tisk\u00e1rn\u011b se agresivn\u011b nechovali a Michela Catalana nechali \u017e\u00edt\u00a0 Pas jednoho st\u0159elce se \u010dirou n\u00e1hodou na\u0161el v aut\u011b, stejn\u011b jako nepo\u0161kozen\u00fd pas v trosk\u00e1ch\u00a0 Sv\u011btov\u00e9ho obchodn\u00edho centra Jeden z vy\u0161et\u0159ovatel\u016f, kter\u00fd shroma\u017e\u010foval sv\u011bdeck\u00e9 v\u00fdpov\u011bdi p\u0159\u00edbuzn\u00fdch, sp\u00e1chal sebevra\u017edu\u00a0 \u00a0\u00datok na redakci odvr\u00e1til pozornost od jin\u00fdch m\u00edst, kde te\u010de krev nevinn\u00fdch proudem P\u0159i \u00fatoku na ko\u0161er obchod v Pa\u0159\u00ed\u017ei zem\u0159eli \u010dty\u0159i lid\u00e9 \u017dIDOVSK\u00c9HO p\u016fvodu a vze\u0161el jeden MUSLIMSK\u00dd hrdina \u00a0\u00a0Islamizace v Evrop\u011b prob\u00edh\u00e1 ji\u017e dlouhou dobu a cel\u00fd MULTIKULTI je pod taktovkou \u017did\u016f\u00a0 Hollande se objevil na m\u00edst\u011b \u010dinu ji\u017e 30 minut po \u00fatoku\u00a0 \u00dato\u010dn\u00edci byli cel\u00fd zahalen\u00ed, KDO to tedy skute\u010dn\u011b byl Akce byla dob\u0159e zdokumentov\u00e1na a dokonce „jeden“ na st\u0159e\u0161e byl vybaven nepr\u016fst\u0159elnou vestou\u00a0\u00a0 V posledn\u00edm vyd\u00e1n\u00ed Charlie Hebdo je obr\u00e1zek, kter\u00fd \u0159\u00edk\u00e1: „Je\u0161t\u011b \u017e\u00e1dn\u00e9 \u00fatoky ve Francii?“ „Po\u010dkat, m\u00e1me \u010das do konce ledna, abychom poslali novoro\u010dn\u00ed p\u0159\u00e1n\u00ed.“ Kdo financuje d\u0159\u00edve 60tis\u00edcov\u00fd pl\u00e1tek, aby mohl vyj\u00edt mezin\u00e1rodn\u011b a „zat\u00edm“ v 7milionov\u00e9m n\u00e1kladu.  A fakt, \u017ee by tento \u00fatok islamist\u016fm a islamizaci moc nepomohl a to, \u017ee Francie uznala existenci st\u00e1tu Palestina mnoh\u00e9 nazna\u010duje. Maurice Sinet \u201eNejsem Charlie, … jsem Sine. Pracoval jsem pro \u010dasopis Charlie jako karikaturista. V roce 2009 jsem vytvo\u0159il karikaturu zobrazuj\u00edc\u00ed Sarkozyho syna konvertuj\u00edc\u00edho k Judaismu z finan\u010dn\u00edch d\u016fvod\u016f. \u010casopis Charlie m\u011b po\u017e\u00e1dal, abych se omluvil, co\u017e jsem odm\u00edtl. Z \u010dasopisu Charlie m\u011b vyhodili, proto\u017ee jsem si d\u011blal legraci z Judaismu!\u201c  A na z\u00e1v\u011br: Rothschild v prosinci 2014 koupil francouzsk\u00e9 nakladatelstv\u00ed ,,Liberation\u201c, kter\u00e9 rovn\u011b\u017e vyd\u00e1v\u00e1 satirick\u00fd \u010dasopis Charlie Hebdo.<\/p>\n","protected":false},"author":1,"featured_media":16940,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[87],"tags":[],"class_list":["post-16170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-svetove-deni"],"jetpack_featured_media_url":"https:\/\/p-art.design\/wp-content\/uploads\/2015\/01\/Bez-nazvu-1.png","acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/p-art.design\/index.php?rest_route=\/wp\/v2\/posts\/16170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/p-art.design\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/p-art.design\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/p-art.design\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/p-art.design\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16170"}],"version-history":[{"count":11,"href":"https:\/\/p-art.design\/index.php?rest_route=\/wp\/v2\/posts\/16170\/revisions"}],"predecessor-version":[{"id":16948,"href":"https:\/\/p-art.design\/index.php?rest_route=\/wp\/v2\/posts\/16170\/revisions\/16948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/p-art.design\/index.php?rest_route=\/wp\/v2\/media\/16940"}],"wp:attachment":[{"href":"https:\/\/p-art.design\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/p-art.design\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/p-art.design\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}